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Holocaust education and documentary storytelling

Women
Without Fear

36 women who defied the Nazi regime, 1933–1945.

Jewish resisters and non-Jewish rescuers. Fighters, couriers, witnesses and women who risked their lives to save others.

By Grant de Graf · Manuscript complete; preparing for publication.

Free to read · No registration required

The Legacy of Women Without Fear — 36 women who defied the Nazi regime; cover art for the book by Grant de Graf Back cover: They loved life more than they feared death. Portraits of nine of the women, a map of their Europe, about the book and about the author, Grant de Graf.

The first major project

What Women Without Fear is

Read Róża Robota’s chapter

A completed collection of 36 biographical narratives of resistance, rescue and remembrance, drawing on archival evidence, survivor testimony and published scholarship. The subjects include Jewish women and non-Jewish rescuers. A documentary series based on their lives is in development; educational adaptations are being developed for schools, museums and community groups.

Read a Sample Chapter Contents, the author’s message and the complete chapter on Róża Robota - free to read, 24 pages.
36
Women, documented
1933–45
Years of resistance
Book
Manuscript complete; preparing for publication
Film
Documentary series in development

Meet the women

Four lives. Different forms of resistance.

  • Róża Robota, head-and-shoulders portrait taken before 1939: a young woman with dark curly hair, smiling, in a patterned blouse.
    Hedcut-style illustration based on an archival photograph. Original photograph

    Auschwitz-Birkenau

    Róża Robota

    1921–1945

    At Auschwitz-Birkenau, Róża Robota helped organise the clandestine transfer of gunpowder from women working in the munitions factory to prisoners preparing resistance. The explosives supported the Sonderkommando revolt of 7 October 1944. Her contribution shows how cooperation and resolve could sustain resistance even within a killing centre.

    Read her chapter Historical reference: US Holocaust Memorial Museum
  • Gisi Fleischmann, studio portrait: a woman with dark, shoulder-length hair, wearing a dark top and a double strand of pearls.
    Hedcut-style illustration based on an archival photograph. Original photograph

    Bratislava

    Gisi Fleischmann

    1892–1944

    In Bratislava, Gisi Fleischmann helped lead the Working Group, an underground network that sought to protect Jews facing deportation. She helped raise funds, organise rescue efforts and negotiate with officials in an attempt to save lives. Her story reveals resistance through leadership, persistence and the difficult work of rescue.

    Read the historical background at Yad Vashem
  • Rachel Auerbach, head-and-shoulders portrait: a woman with her hair swept up, looking directly at the camera.
    Hedcut-style illustration based on an archival photograph. Original photograph

    Warsaw Ghetto

    Rachel Auerbach

    1903–1976

    In the Warsaw ghetto, writer Rachel Auerbach contributed to the clandestine Oneg Shabbat archive, documenting Jewish life under Nazi persecution. By recording what she witnessed, she helped preserve a historical record the occupiers sought to erase. Her contribution demonstrates that testimony and the defence of memory were also forms of resistance.

    Read the historical background at the US Holocaust Memorial Museum
  • Faye Schulman as a young woman: close portrait with dark hair parted at the side, smiling slightly, in a dark jacket and patterned collar.
    Hedcut-style illustration based on an archival photograph. Original photograph

    Partisan resistance

    Faye Schulman

    1919–2021

    After surviving the destruction of her community, photographer Faye Schulman joined Soviet partisans. She served as a nurse and photographed life and resistance in the forests. Her images preserve evidence of Jewish participation in the partisan struggle, bringing together the work of survival, care and historical witness.

    Read the historical background at the US Holocaust Memorial Museum
Portrait sources and credits
  • Róża Robota: photograph taken before 1939, photographer unknown. Via Wikimedia Commons, where it is listed as public domain under Polish copyright law for photographs published before 1994 without a copyright notice. Details of its first publication are not confirmed. Illustration by The Legacy Project.
  • Gisi Fleischmann: Fleischmann family archive, from the archive of Viera Kamenická, via Wikimedia Commons, licensed CC BY-SA 4.0. Adapted as a hedcut-style illustration by The Legacy Project; the illustration is shared under the same licence.
  • Rachel Auerbach: Source: Yad Vashem. Photographer and archival item not yet identified. Reuse permission has not been confirmed. Illustration by The Legacy Project.
  • Faye Schulman: Source: Jewish Partisan Educational Foundation (JPEF). Photographer and date not stated by the source. Reuse permission has not been confirmed. Illustration by The Legacy Project.
  • The portraits are hedcut-style ink illustrations (stippling and hatching) made with AI image tools from each archival photograph and checked against it for likeness. Hair and shoulders cut off in the photographs have been completed in the drawings, so small details may differ; each original photograph is linked. Credits identify sources only and do not imply endorsement.

These references provide historical background; linking to an institution does not imply its endorsement of the book or project.

See all 36 women featured in the book, with portraits

Select a portrait to read her story.

Portrait: hedcut-style illustration made from a historical photograph (see Roster portrait sources).

Roster portrait sources
  • Andrée Geulen-Herscovici: drawn from this photograph. Licence as stated by the source: Public domain.
  • Chajka Klinger: drawn from this photograph. Reuse permission has not been confirmed.
  • Ella Gärtner: drawn from this photograph. Licence as stated by the source: Public domain.
  • Ella Lingens-Reiner: drawn from this photograph. Reuse permission has not been confirmed.
  • Frumka Płotnicka: drawn from this photograph. Licence as stated by the source: Public domain.
  • Gusta Davidson Draenger: drawn from this photograph. Licence as stated by the source: Public domain.
  • Haika Grossman: drawn from this photograph. Licence as stated by the source: CC BY-SA 3.0. Later-life photograph.
  • Hannah Szenes: drawn from this photograph. Licence as stated by the source: Public domain.
  • Havivah Reik: drawn from this photograph. Licence as stated by the source: Public domain.
  • Hilde Meisel (Hilda Monte): drawn from this photograph. Reuse permission has not been confirmed.
  • Irena Sendler: drawn from this photograph. Licence as stated by the source: Public domain.
  • Irene Harand: drawn from this photograph. Licence as stated by the source: Public domain. Photographed 1969.
  • Judith Grunfeld: drawn from this photograph. Licence as stated by the source: Public domain.
  • Lonka Korzybrodska: drawn from this photograph. Licence as stated by the source: Public domain.
  • Luba Bielicka Blum: drawn from this photograph. Reuse permission has not been confirmed.
  • Luba Tryszynska-Frederick: drawn from this photograph. Licence as stated by the source: Public domain.
  • Masha Bruskina: drawn from this photograph. Licence as stated by the source: CC0.
  • Mira Fuchrer: drawn from this photograph. Licence as stated by the source: Public domain.
  • Muriel Gardiner: drawn from this photograph. Reuse permission has not been confirmed. Portrait 1934 by Trude Fleischmann (copyright likely held by her estate).
  • Noemi Szac-Wajnkranc: drawn from this photograph. Licence as stated by the source: Public domain.
  • Recha Sternbuch: drawn from this photograph. Reuse permission has not been confirmed. Chabad.org article; no photo credit given.
  • Regina Safirsztajn: drawn from this photograph. Reuse permission has not been confirmed. The only surviving photograph is badly blurred, so this likeness is approximate.
  • Renia Kukielka: drawn from this photograph. Reuse permission has not been confirmed. Budapest 1944; from the photo insert of The Light of Days (J. Batalion), via JWA.
  • Rosa Jochmann: drawn from this photograph. Reuse permission has not been confirmed.
  • Rozka Korczak-Marla: drawn from this photograph. Reuse permission has not been confirmed. Taken from a Hebrew book cover (fair use on Hebrew Wikipedia).
  • Sabina Zlatin: drawn from this photograph. Reuse permission has not been confirmed. Photographed 1987.
  • Sara Ginaite-Rubinson: drawn from this photograph. Licence as stated by the source: Public domain.
  • Tosia Altman: drawn from this photograph. Licence as stated by the source: Public domain.
  • Viola Stern Fischerová: drawn from this photograph. Reuse permission has not been confirmed. Centropa interview archive, photo c. 1950 (born Stern, Lučenec 1922).
  • Vitka Kempner: drawn from this photograph. Licence as stated by the source: Public domain.
  • Vladka Meed: drawn from this photograph. Licence as stated by the source: CC BY 2.0. Photographed 2005.
  • Zivia Lubetkin: drawn from this photograph. Licence as stated by the source: CC BY 3.0.
  • All roster portraits are hedcut-style ink illustrations made with AI image tools from the linked photographs. Credits identify sources only and do not imply endorsement.
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Official trailer

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The opening 20 seconds of the trailer, muted. The full trailer runs 2 minutes 24 seconds with sound.

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Why now

The window to preserve these stories is closing

Antisemitism is rising globally — and communities need historically reliable material to answer it.

The last direct witnesses are passing, taking living memory with them.

Jewish women's resistance remains underrepresented in mainstream historical accounts.

Young audiences respond to story and film — among the strongest tools for memory transmission.

What your support funds

Donations directly support research, production, education and distribution

Archival research and rights clearance
Publication preparation, printing, and donor copies
Documentary development and pitch materials
Translations
Educational licensing and distribution
School, synagogue, museum, and community programming

Ways to support

Support Women Without Fear

Help publish the completed manuscript, develop educational materials and bring these stories to students and communities.

Individuals and families

Make a Gift

A charitable gift goes straight into the work: research, publication, educational materials and getting the book to the people who will teach from it.

You enter your details with us, then complete the gift on our fiscal sponsor's secure page. There is no minimum, and every level supports the same work.

Considering a leadership gift of $10,000 or more? Contact us to discuss a named educational or distribution initiative.

Discuss a Leadership Gift

How we operate

Built to withstand scrutiny

Documentary-grade

The narratives draw on historical records, testimony and published scholarship. Selected historical references accompany the introductions above; the sample includes further reading.

Action-oriented

Educational adaptations are in development. Educators and museums are invited to advise on age suitability and pilot materials.

Lean and transparent

Donations support publication, educational resources, distribution and the administration needed to deliver that work.

Grant de Graf, founder of The Legacy Project, standing full length in a navy suit with arms folded

The founder

Grant de Graf

Writer and filmmaker, and the author of Women Without Fear. He brings a filmmaker's discipline to the work — rigorous sourcing, cinematic craft, and the conviction that honoring courage means telling these stories with the same precision the people in them brought to their own lives.

Thirty-six stories filled a book; thousands more remain documented and largely untold. The Legacy Project grew out of that work.

The organization

The Legacy Project connects historical storytelling with education

Excerpt from the Women Without Fear trailer, shown in black and white.

Holocaust education

Educational materials and public programming are in development, with institutional collaboration invited to support their suitability for schools, museums and community groups.

Film & documentary

A documentary series is in development, drawing on historical sources and intended for broadcast, streaming and educational use.

Combating antisemitism

Historically grounded storytelling intended to support education, remembrance and informed discussion of antisemitism.

On the horizon: Women on the Frontline, a docu-series in development that extends our storytelling to women whose courage shaped history beyond the Holocaust.

What one life becomes

One portrait. Eighty years. Eighty people.

Every life saved became a family. Remembering what was lost, and what survived, is a legacy that grows with each generation.

Illustration: an imagined family photograph of about eighty people of every age, from babies to great-grandparents, gathered on a lawn in front of a house
Prepared for illustrative and educational purposes only.